available in an edition of 500, housed a in picture sleeve with a printed insert featuring the text reproduced in full, and download code.

if you were in the global house music scene around the turn of the century, you ll be very pleased to hear the news! dubtribe sound system brought a wealth of inspiration and joy to the worlds house music community with its deep, rich, thoughtful, musical and lyrical message at the height of their existence. sunshine and moonbeam jones, the prime instruments behind dubtribe, dazzled audiences with their performances and further with their releases on home label imperial dub. during an apparent long hiatus, sunshine jones has actually been as busy as ever, doing his own thing, as always, and touring city by city around the world to deliver his message, sound and soul in person to his legion of followers. on the heels of the tours and shows, mr. jones is ready to release the incarnation of sounds that he s so eager to share. the good time vibes are all there with a current poignant meaning for all to ingest. as they say, -the more things change, the more they stay the same.- although in the data age, this release is deeper and more meaningful than the old adage ever could imply. pacific beach vinyl is pleased to announce, sunshine jones fall in love, not in line in three equally glorious renditions.

bo diddleys greatest singles from the checker years on 180 gram double vinyl in gatefold sleeve.

the life and work of jacques brel will forever be celebrated by fans of the chanson. and the evidence is present here in a package that comprises tracks from his first six studio albums, released in the mid 50s through to the early 60s and containing some of his signature songs. pressing on 180 gram vinyl, housed in gatefold cover.

mute veröffentlicht zum release des sechsten albums >wixiw< des new yorker indie/experimental trios liars die beiden alben >drums not dead< und >they were wrong so we drowned< neu auf 180 gramm vinyl.
kurz nach dem release ihres hochgelobten zweitlings >they were wrong so we drowned< zog die band nach berlin um dort das 2006er album >drums not dead< aufzunehmen, ein weiteres konzeptalbum das mindestens genauso surreal klingt wie sein vorgänger. kurz nach der veröffentlichung erreichte >drums not dead< platz 6 auf pitchforks jahres-album-top-50.

yeah, blah blah. lorem ipsum rainbow banana bullshit tacos. aren’t those release descriptions really senseless and stupid? as if anyone cared about a text explaining music. it’s like posting selfies or continuously crying about the good old days. but you know what, while writing this - i’m sitting here on a wooden chair at my favorite pizza spot. the sun is shining and i’m eating these damn delicious pizza margherita slices. i might get some tiramisu afterwards. i don’t know. dessert first some might say. but i’m more a dessert after kind of guy. anyway, tiramisu is always a good choice.
ps: i guess now you still don’t know anything about the record, but reading a lame description wouldn’t help either.

brand new silkie on his very own anti social label, support from n-type (rinse fm), l-wiz (alloutdubstep), dj hatcha, cimms (tempa), dj scratcha & dj quest.

for club lonelys sixth release theyve enlisted the services of project pablo to throw down some classic club joints. gluten and gmo free.

limited single-sided release.

fold joins the shall not fade family with his jazz infused ‘doin bits’ ep. rob glassett aka fold unleashes three broken beat house jams, accompanied by a dreamy remix by frits wentink for shall not fade. the four track ep features groovy cuts, perfectly suited for the dancefloor.

imagine a collab between cabaret voltaire and eric copeland mixed by the scientist and you’ll start to enter the sphere of robin asselman. all spectrums explored. the off kilter dub waltz of ’16-16’ stutters into view with a heavy and heady rolling dread, whilst inaudible vocal snippets and flatlining synth lines echo and enforce a melee of repetition and danger. ‘fitness talk’ perhaps best showcases assel’s interest in dubwise production techniques, and his ability to soak up a palette of sound and turn it into something truly his own. soft familiar bass pads provide the backbone here for all out sample mayhem, a space where recognisable dub effects and sonars vibe alongside absolutely unsettling outer samples of jarring vocals and inaudible upset, purposefully mixed to jolt ears into unfamiliar territories. being the nephew of dj marcelle, this experimental approach and inspiring concept of pushing samples to the absolute limits of their origin to create a new unexplored path is clearly something that has been fed down from marcelle to robin throughout his youth....

ian blevins has been busy making a name for himself on esp institute and futureboogie, but now he comes to not an animal with a slightly different approach that still speaks to the skills the upstart producer has in his sonic arsenal. -the birds- is a focused, steady-tracking cut for the deeper end of the night, but there s some serious weight in those drums and the heavily processed vocal snippets pack plenty of malaise. man power then step up with a -tropical bastard- remix of the original, cracking the curtains to allow a little light into the mix but stopping short of over-cooking the mood. -locate yourself- on the flip finds blevins in tracky techno mode, and it turns out it s a style he can nail just as easily as the more organic tones he s known for.

dodi palese is back with his third ep on what ever not, the label he cofounded with dan mela.as his discography tells, dodi speculiarity is surely to mix together different genres andsounds, trying to avoid any classifications. in slightly ep this is confirmed, funky raids in child goes funky , african groove for birdsong and raw sounds in slightly . we hope you

original funk production exclusive 12” release on jordan valley records. featuring “fear not” and “spaces” plus instrumentals. this is a limited release.

jordon saxton aka lk has become a regular name on shall not fade, having remixed detroit legend rick wade last time out, his third output features four breathtaking tracks which showcase another dimension to his productions. the four track ep features ambient, jazz infused cuts, perfectly for the dancefloor.

the third instalment in the shall not fade white label series featuring lk, dj boring, adryiano & deejay astral.

nice price deal !!!

nice price deal !!! a co-production with benga ? the brilliantly sparse, bleepy >green eyes< ? is going to grab peoples attention, but the other three tracks here are easily as good. sarah goldielocks akwisombe makes outstanding modernist electro-pop with dark, emotionally intense lyrical themes and a hefty dj-friendly dubstep wallop, and is without question a talent who is here to stay. the ep is overall inspired by london, underground music scenes ? 2step / garage / grime and dubstep, paranoia, relationships and concealed emotions.

nice price deal !!! second release with more sonic experiments by psychologist for not even records.

before coming back in september for a new year of new releases, lddlm gives you their current mood and state of affairs in the form of a sampler 12inch grieve not, but try again. luke abbot s mix of easters champagne has been in our drawers since the very early days of the label but still shines as new. no dust gathered. easters synth pop is turned into a slow, yet nor chugging, futuristic r n b number. this is our conception of sunrise music. tom of england grasps the metallic fury of mutado pintado s classic lazy boy and chops it in a grinder. decomposition / re-composition with of high industrial standard. a scene from a future, a from-a-lost-tape edit by our underbuy manfredas has been one of our biggest club tracks for the last year. check his recent boiler room ending to know how warped yet strangely hit-like it is. finally, cowboy rhythmbox decided of their own accord to do a club edit of golden bugs physical disco. we liked it, we release it. simple and effective. jugular attack

not an animal records was formed in 2015 out of the ashes of the london-based party bad passion, and has thus far welcomed the likes of man power, ess o ess and eric duncan to release on the label. now they turn to james hadfield, a relatively new producer previously spotted on to rack & ruin and me me me. on this four-tracker he deals in brooding synthwave tones mixed with classic jack track rhythms. literate is just the kind of taut, sinister club creeper we can t get enough of, while buried answers takes a skippier but no less moody approach. on the remix front, jamie blanco takes the prize, turning buried answers- into a bombastic slice of driving synth pop.

dreamsarenotinside next 12” comes from italy’s alex tea and vivi, with monster 14 min long interpretation from argentina’s franco cinelli. dark dubby techno at its finest. 300 press vinyl only.

diy - also „do-it-yourself“ - hat eine große bedeutung in joey agrestas leben. er stammt aus new jersey und lebt über einem ersatzteile-shop. „let’s not talk about music“ entstand in über drei jahren, in denen joey agresta die lieder in seinem schlafzimmer-studio einspielte. computer wurden für die aufnahmen bewusst vermieden, neben regulären instrumenten nutzt joey agresta selbstgebastelte gerätschaften und bannt die klänge auf mehrspur-kassettengeräte. lo-fi als bewusste ästhetische entscheidung. unter pseudonymen wie joey pizza slice, son of salami oder salami junior hat er diverse kassetten veröffentlicht und so die aufmerksamkeit von bands wie future islands und the parquet courts gewonnen, die erklärte fans sind.

for its eleventh release italian label what ever not, founded by dodi palese and dan mela, crosses the world to catch up with japanese producer keita sano for a release of singular, no specific style. the contributions debt to disco, house and techno, all of which boast an old school sprint making one move from the inside. the four-track pack melts afro funk contaminations with scented, crunchy and deeply varied patterns, sampled vocal elements and looping melodies.

warehouse find. stunning dat tapes by unknown enigmatic producer. dusty 1990 s analogue house dancefloor killers. do. not. sleep.

not gonna let remixes is 12 inch single from the forth coming full album release * in the company of others*
incl hot remixes coming from
charles webster & dez andres

at the start of the fifties miles davis career had hit a barrier which, for a period of time, seemed insurmountable, but by mid-decade, with his substance-abuse troubles behind him, he had established himself as one of the major artists on the modern jazz scene. kind of blue can often be found at the very top of jazz record polls and, despite competing claims, is probably the best-selling jazz record of all time. the listener should be in no doubt that they now own some of the most essential music of the twentieth century and on gleaming blue 180g vinyl!

at the start of the fifties miles davis career had hit a barrier which, for a period of time, seemed insurmountable, but by mid-decade, with his substance-abuse troubles behind him, he had established himself as one of the major artists on the modern jazz scene. kind of blue can often be found at the very top of jazz record polls and, despite competing claims, is probably the best-selling jazz record of all time. the listener should be in no doubt that they now own some of the most essential music of the twentieth century and on 180g vinyl!

benjamin is back with a follow up to last years smash hit light of my life b/w dreamins for free.this time out backed by the fabulous dreamdances benjamin shows no signs of slowing down with the sophomore release on palmetto street, not one more tear b/w thats what you mean to me. side as quick tempo and strong buildups are not only the perfect platform for a story of persistence and self-realization but an irresistible 4 on the 4 dance floor groove. evoking the murky underground stormers of detroit circa 66 its an ideal prime time spin for your local soul club. thats what you mean to me is a charming ode to love that s yet to arrive. falsetto lead vocal stacked up with syrup sweet group harmony backups and offset by big boss brass all resting on top of a floaty mid tempo groove. it s certain to warm up any vibe with an irresistible sing-a-long chorus.

detroit legend rick wade steps up for the fourteenth release on vinyl only imprint shall not fade with his melodic, dancefloor fuelled ‘guardian of forever’ ep.
rick wade or big daddy rick is an artist who needs little introduction, a true house music legend, rick serves up three of his signature style tracks, accompanied by a remix from lk. the four track ep features jazz fuelled cuts, perfectly suited for the dancefloor.

nycs finest dj spinna comes through on local talk with an epic release that might surprise those of you expecting a more traditional soulful house workout ! this time spinna went out of his comfort zone with a deep warehouse journey that works equally well in dark european house clubs or at the shelter in nyc. tb or not tb got that perfect blend of space darkness, analogue synths and that old school house thump. initially it s quite raw and simplistic but the true magic of this track begins halfway in (be patient!). if there ever was a journey track, this is the one! but we re not done, on the flip spinna also comes through with a warm and melodic deep house jam destined for those very last small hours. oh btw...that analogue bassline got that extra. thang!

record kicks proudly presents new oporto soul diva marta ren & the groovelvets! following on from her smashing tunes 2 kinds of men and summers gone released in 2013 on record kicks, i m not your regular woman is their new single from the much awaited upcoming debut lp stop, look, listen that will hit the streets at the beginning of february 2016. i m not your regular woman is a floorshaking cover up version of lucille mathis sister funk classic and serves as a good introduction of what you ll have to expect from the debut full length: 60s pure dynamite sound! the flip, be ma fela showcases an afro instrumental stormer by her powerful groovelvets that the black president himself would be proud of. the final result makes it a party starter 45 essential for all djs and funk & soul lovers.

the artists and inventors, along with the many other notable composers present on this 2lp compilation, are the true innovators in the sounds and science of electronic music and its production. they are the ones responsible for the dawn of a much revered genre, the originators of the musical concepts that have since developed into what we now know as electronica and dance. these are the true pioneers of electronic music.
pressing on grey coloured 180 gram vinyl.

adryiano richter aka adryiano first came onto the scene in 2012 with an acclaimed release on soul notes, since then he’s focussed on building his own cestraw imprint, as well as crafting and developing on his sound. this four track ep features jazz fuelled, sample heavy cuts, perfectly suited for the dancefloor. housed in full sleeve artwork sleeve, with disco bag inner.

having previously released on z.i.p.p.os fides imprint, 3kz now bring their powerful four tracker not from here on balans records. 3kz are z.i.p.p.o and kalean

2017 repress !! chicago house legend mike dunn digs deeper into the vaults to deliver a series of his own personal dj edits moving across jazz, funk, soul and disco. the series focusses on tracks that inspired the early chicago house scene (tracks that you would hear at the music box or warehouse) and edited to perfection by mike dunn for maximum effect on the dance-floor. limited hand stamped.

1 copy per customer! warehouse find. stunning dat tapes by unknown enigmatic producer. dusty 1990 s analogue house dancefloor killers. ltd to 150 copies. do. not. sleep. 1st of a 5 part ep series.

geneva based producer pascal viscardi steps up for the twelfth release on vinyl only imprint shall not fade with this mesmerising and dreamy ‘last day in harajuku’ ep.
pascal viscardi first emerged onto the scene with a string of releases on traxx underground, followed by an acclaimed release on love notes from brooklyn. the swiss producer has a trademark sound, club friendly cuts with layers of depth and warmth. the four track ep features moody, intricate sequences with a notable jazz influence throughout. housed in full sleeve artwork with inner disco bag.

fleeting wax hits its third release with this bout of sinister, sleek disco for the darker dancefloor that finds bucharest-based duo valeriu borcos and eduard gabia getting remixed from a strong cast of characters. the ever prolific khidja is up first, turning -choose your colour gypsy dark- into a brooding, almost-rocking affair with an irresistible noirish tint to it. the label heads then get busy with a version that ups the arpeggios in a nod to italo amidst plenty of dubby fx, before mehmet aslan stretches out across the b-side with a more yearning version that lets a little light in on the situation. it s a diverse, potent bag of versions that do credit to the original while saying something new as well.

this is a vinyl reissue of the first release of stephen bishop’s basic house moniker, originally release as a tape in 2012. through his music, and his label opal tapes, bishop has been one of the most significant definers of leftfield dance music over the past years. his background in diy punk and noise is easily identified in his approach to both sound production, general aesthetics, and overall attitude.
“i’m not a heaven man” is characterized by a poetic and tape hissed melancholy, sensibly combined with a lo-fi experimental character rendering it a deeply personal take on contemporary electronic music. slow pulsations of sequenced drones combined with noise with strong emphasis on atmosphere make “i’m not a heaven man” an exquisitve piece of ambient sound design.
limited to 300 copies on white double vinyl with download code included.

following his release on perlon as alter mahnn, collective member ion ludwig signs toi.toi s 4th release. the ep brings two tracks carefully chosen and crafted. rather than having the dance floor as a drive they are rather more mind driven, a very mature ep. not for you - this track, from the very beginning, manages to create a tension, a rather pleasant tension, a constancy is built and it does keep giving very slowly, building up to be an amazing jam suiting a dance floor as well as an inner moment of peace. are we for real brings a very slick groover. it brings a very delicate and extremely classy straight hihat leading the way at the forefront while the mind is grabbed by the musicality through a beautiful melody in addition to many hypnotic noises in and out.

for release number four octo champ brings his not quite here yet ep to the table and hits a house music home run and then some. two part summery club jams, two part dreamy morning after grooves, packed with deep synth swells, diva-esque vocal samples and sultry basslines. this one’s bringing the summer to winter 2017.

erste reissue der legendären 7” von soulstar bobby sheen von 1972, die damals mit “i may not be what you want” als a-seite und im folgejahr noch einmal seitenverdreht erschien.

andreas bergmann is back on moral fiber! this time with 2 original tracks and 2 produced under his alias not him.

the mysterious nic araguay lands on shall not fade with 5 killer tracks that blend moody synths, ambient soundscapes, gritty rhythm patterns and eerie vocals.

the avant garde movement largely influenced katsoulis early compositions. after which, he turned to minimalism, applying elements of jazz and rock into that genre. since the 80s, the use of technology became gradually apparent in his compositions, whist not diminishing the importance of the human factor and the creative involvement of the performer.

>who is who< is the title of a number of reference publications or noted persons with concise information about them. schroepfer pollet aims to keep a misterious wave regarding who is who or who is not who. honestly it was, and always will be about the music, more less about the author. minimal at its best, with two powerful dancefloor tracks that would keep you busy while trying to find your mind within all those bodies moving in the club...

henrik schwarz first work for running back and concurrent solo piece since 2013 is a prime example of the mans uncanny production abilities. recent years saw schwarz more and more gravitating towards the intersections between electronic music and jazz, classical compositions or african sounds than serving the weekly bread and butter at clublands busy buffet car. now, not also you is a return to exactly that honourable craft and service. built around an imagined and imaginary curtain lecture from a saint to a sinner and housed in one of henriks most techno looking robes as of yet, its a no-brainer or shall we dare say a reaper of a track without frills but with a fata morgana like rave signal. oh, there is a dub for snobs (not you also), too. peak time, high time, any time. nice sleeve on top.